Hannah Einhorn: Parasite Polly
Hannah Einhorn: Parasite Polly
Soft Sculpture, Mixed Media
Originally from Madison, Alabama, Hannah Einhorn earned her BFA from Watkins College of Art at Belmont, during which time she completed numerous exhibitions with award recognition. While her work favors mostly painting and ceramics, Hannah also ventures into collage, drawing, installation and mixed media sculpture.
Overall, Hannah’s work explores cultural and literary examinations of gender-based fear, feminine aesthetics, and violence - and then contrasts these representations with her own experience. This intersection becomes a deep dive into queer human resilience, sexuality, race and gender, all culminating in a visual pursuit of the uncomfortable and terrifying parts of being alive.
Hannah Einhorn: Parasite Polly
Soft Sculpture, Mixed Media
Originally from Madison, Alabama, Hannah Einhorn earned her BFA from Watkins College of Art at Belmont, during which time she completed numerous exhibitions with award recognition. While her work favors mostly painting and ceramics, Hannah also ventures into collage, drawing, installation and mixed media sculpture.
Overall, Hannah’s work explores cultural and literary examinations of gender-based fear, feminine aesthetics, and violence - and then contrasts these representations with her own experience. This intersection becomes a deep dive into queer human resilience, sexuality, race and gender, all culminating in a visual pursuit of the uncomfortable and terrifying parts of being alive.
Hannah Einhorn: Parasite Polly
Soft Sculpture, Mixed Media
Originally from Madison, Alabama, Hannah Einhorn earned her BFA from Watkins College of Art at Belmont, during which time she completed numerous exhibitions with award recognition. While her work favors mostly painting and ceramics, Hannah also ventures into collage, drawing, installation and mixed media sculpture.
Overall, Hannah’s work explores cultural and literary examinations of gender-based fear, feminine aesthetics, and violence - and then contrasts these representations with her own experience. This intersection becomes a deep dive into queer human resilience, sexuality, race and gender, all culminating in a visual pursuit of the uncomfortable and terrifying parts of being alive.